But Frost likely left this ambiguity on purpose so that the reader would not focus so much on condition of the road, and, instead, focus on the fact that he chose a road any road, whether it was that which was less traveled by or notand that, as a result, he has seen a change in his life.
Our route is, thus, determined by an accretion of choice and chance, and it is impossible to separate the two. However, what stays in the mind of the people is the philosophy of life and the dilemma of making choices.
The text itself throughout this story speaks much to the concept of life and death and what the afterlife is. In the first stanza, Mr. As the story progresses, however, the character seems to be regretful of the choice he or she has made. But to contemplate this hypothetical deeply is folly, for it is impossible to say whether taking the other road would have been better or worse: all one can say is that it would have been different.
The situation demands a serious approach, for who knows what the outcome will be? Frost liked to tease and goad.
The choice in comparative analysis is due to how they both swim in a sea of metaphorical symbolism. It is about what the poem never mentions: the choice the speaker did not make, which still haunts him.
Stanza: A stanza is a poetic form of a fixed number of lines. For instance, as the character walks, he or she begins to seem fearful that the opposite path may have been more alluring or aesthetic. The act of assigning meanings—more than the inherent significance of events themselves—defines our experience of the past.
The traveler must go one way, or the other.